HERE’S A CHALLENGE

FOR PROSPECTIVE CONTRIBUTING POETS:

see how few words you can use to share something revealing and also interesting about yourself, your mind, your life or how you work (unless it is all in your poems, of course).

Here is the latest cover:

SOMETHING MYSTICAL

On being an editor

There is something mystical about being a midwife at the birthing into the world of these stories

Maybe not doing God’s work, or the Lord Buddha’s exactly – maybe more doing the work of the universe in the spirit of belief in something beyond and above

Something we can’t quite grasp but sense, just as on first reading I sense a music in these elegiac poems and only later can see the subtle rhymes and then how the chimes and echoes between different poets’ pieces have somehow, magically and with no intention from me, put themselves together into a pattern.

Issue 88 is here!

OWP 88 picI see a hundred
lost policemen’s hats
bowling out
across the universe
along our rolling English roads
from Glastonbury
belly button of the known world
rolling out to Paris, to Prague,
to Rome, South Africa,
to poor benighted USA –
blown along on a wind of words
& inclusivity.
A hundred puzzled readers
searching for the story.

Obsessed With Pipework 88 is on its way . . .

. . . to the printers any day now.
These are the poets whose work will be represented:

Graham Allison
Martin Bennett
Penny Blackburn
Aaliyah Cassim
Paul Connolly
Hélène Demetriades
Robert Etty
Richard Foreman
Alice Harrison
Jean Harrison
Mary Hastilow
Jonathan Humble
Paul Jeffcutt
Ruth Kelsey
Peter LoBianco
Ayelet McKenzie
John McKeown
Tristan Moss
Miriam Patrick
Donna Pucciani
Chris Rice
Mat Riches
Marg Roberts
Diane Sanders
Penny Sharman
Sarah Tait
Merryn Williams

OWP Submission Guidelines

Publication dates are early in the months of February, May, August and November, more or less (but for no particular reason) coinciding with the festivals of Imbolc, Beltane, Lugnasadh and Samhain. The magazine does not operate a submissions window – we welcome at any time offers of up to six original & unpublished poems written in English from anyone. Accepted poems that ‘miss’ a given issue of the magazine are simply rolled on for the following issue. Space on the Contributors’ page is at a premium so, if you wish to appear there, let your included bio note be succinct but tell readers something interesting about yourself, not just list magazines you’re in.

Although hard copy submissions are acceptable, we prefer to get your poems as a Word attachment. Email them to owpeditors@outlook.com – please use single spacing, minimal formatting and Times New Roman 12 point, avoiding frames, columns and text boxes. RTF is good. We frown on simultaneous submissions.

If sending work by post, please include a stamped self-addressed envelope big enough to take all the poems (C5 or larger), in the absence of which expect no reply unless your poems are absoLUTEly brilliant. Address snailmailed submissions to:

Charles Johnson & Katerina Neocleous

OWP 8 Abbot’s Way

Pilton

Somerset BA4 4BN

Our poetic likes and dislikes: the editors tend to favour work that may be unsure of itself but is willing to explore untried creative directions. Criteria include authenticity, humanity & the attempt to take off. Predictability, dogma and wordiness will almost always be rejected. We prefer dreams to deathbeds, and please be didactic only if you are being ironic. In our view a poem is a sharing not of an opinion but of a perception. Since we only publish poems we like, poets would be wise to look at a recent copy of OWP before offering us their work.

SUBSCRIPTIONS

Buy a copy of the current issue for £4.50

. . . or start a subscription and get a year’s four issues for £15: send a cheque payable to Flarestack Publishing with your address to

OWP
8 Abbot’s Way 
Pilton
Somerset 
BA4 4 BN

or try the PayPal link:

paypal.me/owppay

If that doesn’t work, use account name Mr C H Johnson & the reference charles. johnson72@aol.co.uk (which is also the email address for any queries)